Jeffrey Baumgartner - Chicago Actor and Artist
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“Choosing to deliberately tune in to or create a thing of beauty gives you the gift of enjoying your journey, thereby aligning with your idea of ‘fabulousity’ and puts a song out into the world…” – Terez Hartmann 

6/9/2012

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Day 32 – Saturday

NOTE: Thanks to all who have been checking in regularly to the blog and might even have gotten anxious in that I am not up to current. Did he go over a cliff in Taos? No. It has been difficult to get internet in some locations, so I am doing some back-tracking, but my daily notes, in my inimitable “chicken scratch,” have helped immensely. Enjoy the journey with me, a bit Henry Miller, a bit Karourac, hopefully not too much Joseph Conrad and “The Heart of Darkness.” Peace

Here we go: Santa Fe about an hour drive, at most. I was in SF twenty-five years ago – don’t remember enough of it - after three years of intensive conservatory training as an actor in Denver, age 25. With another buddy of mine and fellow actor, Jeff Wittman, we were delivering our third amigo, Alfonso Gallegos, back to home base and we flew to our respective destinations east – Jeff (my other buddy) to Virginia, I flew to Chicago - from Albuquerque after couple of days’ exploration of Al’s glorious city, Santa Fe.

Now that I think about it, it’s how and when I first was dubbed “JB.” First day acting class with Sir Jack Fletcher in ’85, going around the room to learn our mates’ names, Jeff Wittman, Jeff Baumgartner. Yeah, Wittman, you will be “Jeff,” and Baumgartner – whatever – you will be “JB.” I was christened. It stuck, I struggled with it for awhile, but it stuck. Which is what it should do, when the moment is right and when given you by friends.

I remember being in the back seat of Alfonso’s pick up truck, 1987, as we loft over a particular vista, Al, driving, turns his head and says something like, “Jefe, you ready?” I am sure to have replied, ready for anything. And then we see Santa Fe; we descend. The hair on my arms stood at attention for the next two days.

Note: “Jefe” in Spanish glosses to “the Boss” - yeah, that’s not gonna happen, but I do like the ring of it…. Surely I can use this in a bar or a café for a cup of coffee in the near future… um, good luck with that; prob’ly end up doing dishes….


Santa Fe has always remained for me one of the three most magical places that ever I have experienced; the other two being Cape Cod , where I spend a summer stock theater season, and Greece where I spend five weeks with a production of LYSISTRATA and a whirlwind tour of the ancient amphitheaters. Glorious.

Fast-forward to present, it’s wild to me that Al calls on cell just as I arrive in Santa Fe on Saturday, as I pull onto Cerillos, the main thoroughfare. I hang up with him and arrive Water Street at the Plaza, which is crazy, because I am already lost, but loving finding my way, know what I mean? I had no plan. And no idea if I really have a destination; seems like a good idea to maybe paint here, it’s all I know at this time, ha. Remember, no expectations, no responsibilities. Wow, I am Henry Miller. Okay.

Opening line of Miller’s Tropic of Cancer: “I have no money, no resources, no hopes. I am the happiest man alive.”

I take a right turn, a left, maybe it’s a right, oh, there’s the cathedral, and, oh, there’s a parking space. A meter, hmm, in Chicago, we simply would jam that with a… wait, where am I? Be respectful. So I score rock-star parking in front of the Cathedral Basilica and pay the meter (Eddie Izzard moment here, if you’ve been paying attention).

I put the standard note on the dash “JB ArtWorks: don’t even THINK about ticketing me - I am a PAINTER, YOU BASTARDS! (breathe) – ‘cuz I just scored Rock-Star Parking, who do you THINK you are”... it usually works in Chicago (Eddie Izzard has a moment).

A gentle visit to the tourist & visitor center where I hope to say hello to a volunteer person there, Ingrid, whom my friends, Clarence & Alberta, have known for 47 years when they met her in Vienna. Mr Izzard, wanna weigh in on this one? ha. Regrettably, she is not working the booth today, shame that.

Did I mention how CRAZY this all gets, interconnectedly?! Patsy Kline is blaring in my head just now. I haul out the gear, I paint. Two hours. I am painting the Basilica (you Google the history, it is pretty darned cool), lot of people coming up to me, cool, telling me about the cathedral – did YOU know they ran out of money, never finished it?, asking me various questions, including of course where you from? Chicago does have a certain sexiness to some folks, have you seen me do this dance, thank-you-very-much ha

*That is a pithy shout-out to my friend, Bohdan, in Chicago who cannot dance a proper lick and has successfully done so since his Andy Warhol days at Studio 54 in NYC and continues to single-handedly amaze as well as clear the best dance floors in Chicago with his avante garde. No disrespect, my friend, I do share somewhat the style of your dance-like moves … but I do digress…

Jeffrey, enough with the Side Bars, already -

Who are these people? Clarence & Alberta, Alfonso, Bohdan, Bob (recurring theme), who’s this Diann, Cathy, Guenther, Tim Tyler & Jen (ah, haven’t heard about them yet, have you! You must wait till Arkansas), your mother/your brother, your sister, these are characters in a Tennessee Williams’ play, right?  This how you define yourself, Jeffrey?  Ah, interesting proposition.

Couple of guys approach me, ask, Cuban cigars? My interest is piqued. My buddy, Alfonso, loves cigars, wait, he’ll be along in a moment. Shit, these are Cohibas – story just took a twist. Al comes 'round, likes the cigars, buys three, I will buy one from him… you know, when in Rome. The one guy speaks no English, he is Cuban, and holding a box of cigars; the other guy, African-American, serving as interpreter, speaks Spanish quite well. They inquire about the closest smoke shop, presumably to sell the balance of the goodies in the box , Al gives directions, alternating Spanish and English.

I have finished with the cathedral and Al and I head to San Miguel Mission where I will complete the initial sketch that I started in Show Low in front of the Olive Store. I tell Al to time me, I will finish in 45 minutes. Yep, good luck, that’s if you do not TALK!

Three and a half hours later - kidding – I am finished. A good little painting, too. We walk around the corner to a Mexican food place and have dinner and couple of beers. I have become fascinated with the immediate area. Directly next to the mission church (c 1610), which is the oldest church structure in the USA, is the oldest house in the US, dating to c 1646. That is pretty cool. It is believed to be pre-Spanish, the last remnant dwelling surviving from the Pueblo of Analco. Remember, to provide context, both Shakespeare and Cervantes died in the year 1616.

After dinner, Al shows me around a bit, including the somewhat newly-developed park and arts district, that apparently used to be a rather depressed and seedy area of shuttered warehouses. We walk around the park, Al having fired up our Cohibas for us, and we sit and chat about old times and new on a park bench, well after the sun goes down. It must be some two-plus hours and most enjoyable.

As we are going together to Taos in the morning, Al has surprised me by graciously getting a room for me at the Hilton, which proves luxurious, indeed! That way I do not have to drive to Albuquerque tonight and back again in the morning. A less expensive alternative could easily have been my faithful EconoLodge. We agree to meet early and I am thrilled by the prospect of discovering Taos with one of this enchanting state’s native sons. 


mañana 
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Oldest house in the USA, the De Vargas Street House in Santa Fe, NM, dating to 1646 (photo by Dana B Chase, c 1885)

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“Beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities...” Plato

6/8/2012

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Soda Dam in Jemez Springs, NM (photo)

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I could do a trip simply documenting old cars, tractors, and machinery. This is in the pueblo near Jemez Springs, NM (photo)

Day 31 – Friday

Leave at 8:30am with Clarence for Jemez Springs (pronounced Hey-mess) and the Gilman Tunnels. I am going in blind, no expectations, no idea what we are going to see. As I had gone to the grocery last night and shopped “European” – enough for one or two meals – I made some eggs for b'fast with the balance of the red/green/yellow peppers and was ready to attack the day. As we neared the pueblo, the roads began to wind around and climb. Clarence got to experience first-hand the awesome power of my Kia’s four-cylinder mechanism – a lean, mean fighting machine!

The pueblos at Jemez, as he explained, were often poignant and typical examples of abject poverty, pretty nastily down-trodden, junk and old cars everywhere, though he seemed surprised by how much new development had occurred since last he had been there, and with a great deal more modernity to the homes and structures, almost a suburb of the more rickety, original pueblo. At Gilman Tunnels, which are cut into the very heart of these enormous mountains, originally for the trains, I got out and took photos; there was an immense rock in front of one of the tunnels, and I felt it would make a good photo opp so up I went, scrambling quickly leaving Clarence with the digital camera. I think he was freaking out a bit and made several mock gestures holding the heart side of his chest and heaving back and forth, though smiling all the while.

What sucks to me is the reminder that even this pristine and untouched natural wonder is not safe from the inane side of humanity, as clearly some local gangs also found great enjoyment here - there was ample graffiti in evidence, much of it fairly accomplished, rivaling anything I have seen in Chicago; too, beer cans were strewn about everywhere. I picked up a few, put them in a baggy to dispose of later. "Gonzalez" was painted in a deep blue spray paint, very large script, across a massive rock. That’s when I become rather unpleasant to myself when I imagine what I would like to do to the morons that did this, would they were here with me just now.


I went home and looked up the name "Gonzalez" in the New Mexico white pages, then started calling one number at a time... No, I did not.

From the Tunnels to Soda Dam at Jemez Creek. The water coming through the dam was ripping along at high volume and capacity, as impressive as it was surprising as there has been very little precipitation recently. The wildfires have been raging in the region, as well as in Arizona and Texas, one day seemingly under control the next day, not, due to gusty winds and extremely dry conditions.  And due to the actions of people like this "Gonzalez" lad.

This is really beautiful country, though. Clarence and I pop in to a small restaurant in Jemez Springs for a burger, his treat, which was very kind of him, but he was very insistent. We get back to the facility and he says, hey, how about a whirlpool and a swim? I was planning a short nap, perhaps after – I tell him, sounds great. Then he informs me that Alberta earlier had run into their neighbor, a Shakespeare scholar and lecturer, and invited her to meet me at their place in a half an hour. Maybe a nap after this casual meeting, that works for me.

Charmazel (pretty name) is East Indian, very tall, and extremely bright and personable. She and I exchange Shakespeare stories – Clarence and Alberta say later, it was like you guys were talking in a foreign language. She tells us that she saw the Stratford, Ontario, production of THE TEMPEST with Christopher Plummer and that a film version of the stage production will air in a select few cinemas around the country on Thursday June 14 and where will I be then? Sounds like I would be in Texas, and - as it will only be showing in bigger cities -options could include both San Antonio and Austin. 


Really a delightful sit-down, she excuses herself and I am thinking, cool, naptime. Clarence and Alberta: Jeff, we were thinking of a pizza tonight if you might join us, like maybe we order it right now? Yes, of course, and then I will get my nap. But, of course, after I fetch a pizza for us, my treat this time, we go again till 10pm and my nap happens about 11pm and for about six or so hours, know what I mean? Cannot wait to finish this vacation so that I might get some needed rest, ha! But I have some terrific new friends.

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“The learning process in art is never over. The possibilities for growth are limitless.” – Uta Hagen

6/7/2012

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Clarence, Alberta and Himself in Albuquerque, NM

Day 30 – Thursday  

Meet them in the lobby so as to go to breakfast. I note that they seem a bit more quiet than last evening; Alberta perhaps a tad cool. I will learn in just a few moments that, while absolutely fine, Clarence had a fall last night, trying to put on pajama bottoms. His foot got tangled, down he went. He says, just a little bruised. I reply, "your ego or your body?" Okay, one too many martinis (Alberta did not partake). Tonight we are on best-behavior; we will mind our p's and q's, as they say in old England.


After b'fast, I venture out  for a look-see at Albuquerque, get my bearings. I have asked if I could make them dinner tonight and then do so: a simple penne pasta with red sauce, spinaci and red/yellow/green peppers. I cook it in my place so that they don't have to live with the Italian seasoning aromas all evening, bring it up to their place where we eat. 

Okay, we'll have just one martini, maybe a second. I do up the dishes for which I will not hear the end of it. I am certain that Alberta appreciates the gesture. Too, I am actually surprised how easily Clarence lets go of the f-bomb. I can't so easily counter. It's like when I was teaching at university, I certainly was capable of swearing in front of students in class or lectures, but the f-bombs were very carefully and deliberately used and only to good effect, usually to make a point about acting and the craft, thereof. We had previously agreed to make it an early evening, and of course, went later than last night. 

Clarence has decided that I am his "cousin-brother," as the Navajo call it: dear friends, almost soul-mates. He later will begin saying that we are "metaphysical twins, separated at birth, brought back together some 37 years later." Trying to do the math, how old would that make me? I decide to excuse myself and go back to my apartment because I now am quite cognizant that we would continue to chat and discuss all night long. 

The plan for tomorrow is that Clarence wants to take me to Gilman Tunnels up in the mountains, some ninety minutes away. We will try to get back by mid-to-late afternoon so that I still can paint.  There will be some effort to prepare the Kia for a passenger, I will do that in the morning.
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Clarence thought it would be funny to stage me trying to steal Christ's staff in the chapel. Can't a person get struck down by lightning for that? Thanks a lot, Clarence! (photo)

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“If you asked me what I came into this world to do, I would tell you: I came to live out LOUD.” - Emile Zola

6/6/2012

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Day 29 – Wednesday

Up early, the camp host, Tom, meets me at the tent to confirm that I paid my fee (forgot to post receipt on the windshield for the ranger to see, wind kept blowing it off the dash). A brief chat, asks me from where have I just arrived. I reply, Gallup, and, of course, he says, "rough town, Gallup." He tells me to be sure to see the canyons just a spit down the road, a wonderful overlook right here in the camp. I go down to the lake where I painted last night and photograph the scene for posterity and archival purposes. Then to the canyon and it is spectacular! And with that send-off, I head to Albuquerque.

Arrive 1pm, hang out in Starbucks to get on-line. I am to get to new lodgings at 2pm. I will meet my hosts, Clarence and Alberta Giese, in their eighties, as they have arranged that I can pay for, at an incredibly cheap rate, a guest apartment for five days in the retirement center where they reside. I will use the apartment as headquarters so as to conduct day trips to Santa Fe and Taos. 


These fascinating and colorful people are friends of my family. My mother and her childhood friend, Sally, with whom she has traveled extensively the last few years, dropped in on them unannounced a couple of years ago. Mom thought it hilarious that Clarence, at that time, had a still and made his own grappa, Italian-style.  Sally and Alberta are sisters-in-law.

Now I need to preface this meeting by stating that Clarence, 87, is an accomplished abstract painter and keeps an impressive oeuvre of his work in their home. They lived in Vienna for many years, where he taught art and painted extensively. Moving back to the States, they lived in Vermont for a time and decided a change of life would take them to Albuquerque where they would work with the Navajo Indians there (specifically, in Thoreau), building community, teaching, and helping the Navajo with various issues being faced. In Vermont, they worked one-on-one with people with AIDS, and helped develop and facilitate an effective  hospice program. These are, simply, good people showing true human kindness for their fellow man.

My interest was piqued in wanting to know more about them year or so ago and so I commenced a written correspondence with Clarence (remember letter-writing?! - he has no access to nor interest in email or computers). He has insightful advice and commentary on my artwork. As I begin to plan this journey, it will be very important to spend some time in both Albuquerque, as well as Santa Fe, with my good buddy, Alfonso.

So, I check in at the desk, get keys, and head to their apartment. Clarence has walked down the hall to greet me. He gives me a big hug and I say something like, “Seems our meeting each other was destined and inevitable.” I am introduced to Alberta who is lovely and very sharp; she listens very intently and seems to catch all subtleties. Clarence is more like me and attacks the world like buckshot. His hearing is going and he often misses what is said the first time around. They both have a wicked sense of humor. He jabs and I give it back to him in a joyful repartee. He walks down to my car with me, sees how packed in it is and inquires exactly how many months am I staying in New Mexico?

He shows me where to park, I check out the apartment and it is … wow! There is a huge bedroom, king-size bed, big bathroom, huge living room with dining table and a fully equipped kitchen. I am going to get spoiled pretty quickly. I remind myself that last night I slept in my tent on a plot of large gravel. My neck is still a bit stiff from sleeping wrong. No problem. Apparently there is a Jacuzzi and pool downstairs where I can work out any sore neck muscles. Kinda sucks I don’t have those things in my apartment, might want to make a complaint to the facility’s complaint department, why don’t I have a Jacuzzi?

They invite me to join them for dinner. Clarence and I walk next door to the grocery and get a rotisserie chicken; Alberta has cole slaw for us as a side. The still has been given away before they moved into this apartment a year or so ago; therefore, no grappa. But gin martinis are the drink of choice and here we go.


The Emile Zola quote above I have gleaned from a wall on their patio, which serves as a painting studio for Clarence. I felt it apropos. 

A whole lotta conversation well into the night. I get suggestions from them as where and what to explore in their fair city insofar as painting ideas and an invitation to breakfast. I decide to throw a party in my new digs, hundreds of people show up and…. just kidding. To bed.

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“A man paints with his brains and not with his hands.” – Michelangelo

6/5/2012

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"El Rancho Hotel" Gallup, NM (photo)

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View of Bluewater Lake, NM (photo)

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En route to Albuquerque from Gallup, NM (photo) - how's about that incredible mesa!

Day 28 – Tuesday

Arrive Gallup, New Mexico, look for State Park, have a look-see around town. Find very quickly the El Rancho Hotel on historic Route 66. Famous for hosting movie stars and politicians such as John Wayne, Spencer Tracy, Katherine Hepburn, Kirk Douglas, and Ronald Reagen, the region was ripe for western films. By reputation, Gallup is a rough city; heard it from several sources who knew the city well. “Stay on your guard.” Okay, I shall.

The motto is emblazoned across the front of the hotel just below the iconic neon sign: “the charm of yesterday, the convenience of tomorrow.” Like it.

I get a late start on the morning, waiting endlessly for a call from Bowie that never comes; whatev’s, his loss, don’t care to discuss it any further.

:)

Catch what I thought was a breakfast restaurant, only to sit and knock out taquitos at 11am – but good, so good. A few hours at the library for WiFi, blog-posting, and research of Gallup and Albuquerque. A walk around the immediate area, looking for a something to paint.

Try to paint the El Rancho from across the street, two hours. Gets scraped. I am painting window dressing and not painting foundations; hence, the gestural paintings are suffering for it.

If you don’t know where you are going, you are sure to get there, you know? I am frustrated because I want so badly to knock out a painting, maybe even a good painting; but oh, how romantic, to be in these sexy and exotic locations - I am being ironical - the drama simply should drip from the pen, to exploit a phrase, something, I am sure, many a decent writer has certainly experienced.

I really need to focus down the process, not be so loosey-goosey, but actually need to have a plan, a ground-plan; my problem-solving skills are not thus far entirely economic. So I pack it in and let us head closer to Albuquerque, try to get to Bluewater State Park.

Actually arrive several hours in front of sunset, that's a first: “meet it is, I set it down thus” (Hamlet). Might actually get some painting done.

Beautiful drive up into the hills. No ranger, pay the fee at the metal drop-box (only $10, bonus!). Set up camp and head for the lake, 200 yards away, have maybe an hour before the sun pinches itself into the lovely mountaintop.

I start painting.

Jeffrey, please, let's not waste our time again, a good drawing, get the values close, do not wait for inspiration, but try to keep everything harmonious and tight, the values tight. Going along nicely. I see someone approaching in my periphery, a man and his teen son, maybe 13. A conversation yields that they are from Wheaton, suburbs of Chicago. I keep painting. Can we watch for awhile, can I take some photos? Sure, thank you for asking. More conversation, they are actually doing my same trip in reverse order somewhat and in less than a quarter of the time. Do you know this place, hey, be sure to see etc etc. At one point, the father asks the son, "you wanna get going back to camp?" The son is watching very intently, says, "no, I want to see more of how this turns out." Big smile, him and me, both of us. 

Get close to what I think is a decent start, then no more light. Dad and son leave. A call to Clarence in Albuquerque to coordinate schedules and arrivals tomorrow and he tells me check in for the… what’s the word? Venus Transference? It will be a dark spot on the sun as Venus passes in front of the sun just before it sets, won’t happen again for over 120 years, he tells me, wear some heavy sunglasses, don’t look directly, might hurt your eyes, too intense.

Well, I couldn’t see it, but apparently some folks in the campground had the proper gear and were able to see it. That's kind of cool. I can’t wait till the next time to really see it (120 yrs). Venus Transference, good title for a painting, hmmm.

Pack up, back to tent early, watch a dvd (I think it was "Serpico", bought it last week in a cheap bin, couple of bucks) and asleep. Next leg of journey starts tomorrow in Albuquerque, Santa Fe, and Taos. ¡Hasta mañana!

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“Painting is easy when you don’t know how, but very difficult when you do.” – Edgar Degas

6/4/2012

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"Venus Transmogrified" oil 36 x 24" 2007 {SOLD}

Day 27 – Monday

Up early to start packing car, and the Camp Host comes ‘round, asks if I am staying another night. Nope, just last night again; so we settle up for the additional third night, $14, and he writes a tag for the car, tells me that I will need that to use the showers. Um, showers?! Yeah, didn’t I tell you when you checked in the first night, just down the road, not quarter of a mile, is the main station, has all the modern facilities.

Oh, well, that is nice to know, three days later.

Car is packed and I head for the… modern showers. Wow, they are very clean, lots of room, nice to know. I then take my newly-washed self to breakfast, then to library, then I am out of here. I am heading to Winslow, AZ, after reading a couple of the links Diann had sent to me. I will be “takin’ it easy” very soon.

You see, I was told very clearly by a fellow I met at the charity event yesterday, Miguel, that Winslow is not to be missed; an artist community, it is teeming with art and artists. I actually will be going an hour out of the way to Albuquerque in order to stand on a corner. And that is just simply okay by me.  Plus, I have had a shower today and that makes me happy.

And this is wild! Miguel is an artist and is displaying 
in the Olive Oil store many of his jewelry pieces and necklaces that he makes. He and Sonja have been inquiring about my art, so the website is brought up on the store computer, everyone huddled around.

Up comes “Venus Transmogrified”, one of my personal favorite pieces to date – it sold two years ago – and without prompting he says, “reminds me of David Bowie and Glam.” I exclaim, loudly, “Exactly! I always thought so, but you are the first person to actually say so before I did.”

He continues, “I should send an image of this to Bowie tonight. I know him and his wife, you know.” “Oh, really, do you?” “Yes, I was a make-up artist professionally in L.A. and worked with Iman (his wife) for more than twenty years.” “Is that right? Huh.” My incredulousness has betrayed me in a big way; I am a big fan of Mr Bowie.

So, glass of wine in our hands, we continue discussing all things Bowie, L.A., theater, and, of course, art. His girlfriend is an artist in northern California, north of Santa Cruz, in redwood country; he tells me I should get in touch, gives me her cell number – it goes into my phone. Wild. But that's how it works in this crazy world.

So, I pull into Winslow, only an hour and a half drive, and immediately go in search of a street named ‘Winslow.’ I find it, no one around, and I march into a business on the corner, a title company. Ask the receptionist if she might snap a photo for me. She laughs, says most people usually go down to the park few blocks away and have their pictures taken there; they pose with a statue, guy with a guitar, but I will be happy to take a picture for you. I then drive for a wee look-see at the town then decide to cave in and take advantage of the tourist photo opp with the guy with the guitar.

It is so early in the day that I really think I should move on, try to get closer to New Mexico before sunset, and decide to shoot for Gallup, New Mexico. Will find a campground there. I will get up early, do a couple of paintings in Gallup and head for Albuquerque in the morning. That’s the plan. Also, cell reception isn't great, might be better in Gallup, and if David Bowie calls tonight, I want to be sure to be able to take the call. Right?


Oh, and I do have something very sad to report. My straw hat - the one that I wore many times on stage when playing van Gogh in the one-man VINCENT, the same straw hat that joined me when first I began painting out-of-doors, in all kinds of inclement weather, the straw hat that, because of its derelict condition, caused painter friends of mine in Chicago to suggest to me, Jeffrey, that hat comes back with you to Chicago, you can find new painter friends - that straw hat has been forever retired. 

With no further ado, no pomp and circumstance nor solemn ritual, the beloved straw hat was placed into a dumpster, near the newly discovered modern facilities at the campground, and simply thanked for good service. EDITOR'S NOTE: the replacement hat may be seen standing on the corner in Winslow, Arizona, and such a fine sight to see.
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Stylin' in Winslow, with a new hat, purchased at Show Low Shell station, $6.99

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Yes, sunbeam is pointing directly at the new hat. I am certain that the old hat, newly retired, has become a halo'd angel and, simply, is shining its light on its new brother

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This is the halo'd angel straw hat... a moment of silence, please :)

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“Too many people like this painting… it must be bad.” - Francisco Goya

6/3/2012

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Makeshift Mobile Studio, Show Low, AZ 2012. Tecate Beer on picnic table at left, very important detail (photo)

Day 26 – Sunday

I awake with the sunrise, a walk around the little lake, all the while checking in for rattlesnakes; begin painting so as to finish early; do not want to belabor this one. It gets a signature at about 9:30am. I am hungry and ready for a big breakfast, knowing there will be a stipend by day’s end. I shall do my morning ablutions at the breakfast place of choice; on Friday night when I arrived, I did my nightly toilette at the Shell station when I got petrol, taking out my contacts, trading them out for my glasses, brushing teeth, changing into sleeping sweats etc. On Saturday night after 10pm, I went to Wendy’s, just down the street, without benefit of a purchase. Same m.o. - contacts out, teeth brushed, sweats to sleep in... 

So I decide to drive into Pinetop-Lakeside and find a café. Do so, have a terrific b'fast, country skillet, lots of local flavor, is that chorizo amidst the eggs? - I am good with that in a big way. When I arrive at Picassol's Olive Oil store, I am early of noon, so I hang out, go through a locally-owned marketplace across the street, check out the fresh vegetables etc. Get to Olive store and unload paintings so as to show the charity folk some options; I will be happy to donate a small piece, as long as I am certain that my new painting has a satisfied owner. I show it, it seems to be met with approval. Always the insecurity creeps ‘round the corner, “What if….”

I meet a bunch of people, nice people – again with the NICE in this town– and I set up to paint. Love the fact that a small, hay-strewn pen near me contains three of the cutest alpacas you ever did want to see. Cannot find any of my photo references so as to kick-start a warm up session; Sonja, as per my request, prints a hard copy of a couple of photo perspectives of the cathedral in Santa Fe – I figure I can do some sketches so as to ready myself to paint from life when I get to Santa Fe in a couple of days.

I donate the 11x14” painting of the Carmel Mission, CA, and it receives a warm reception. Fast-forward to the auction: Sonja has sent one of her employees to ask that I stop painting and be present when they begin to auction my painting. She grabs the microphone from the auctioneer and introduces me, suggesting we are in the presence of ‘world-renowned Chicago artist, Jeffrey Baumgartner.’ A lightening bolt of trepidation strikes me, and I come forward saying, “I don’t know about ‘world-renowned,’ though I am fairly well-known in a certain part of Indiana, very small town.” I am laughing. I think the growing crowd appreciates this gesture, they laugh with me. Forsaking the microphone in this fairly intimate venue, I give some context to the trip and the painting and then fade back into shadows and watch as the piece sells successfully. I am happy to march up to and say hello, shake hands with the new owner.

The event winds down, I finish up the quick-study of the cathedral, and off I go, newly flush with the sale of artwork. Getting to New Mexico now will not be an issue.

Okay, time for “follow the bouncing ball” for those of you tracking this blog (or “riding along with you in the passenger seat”, as my mother refers to it), I have sold a painting – it is time for a wee celebration. I deftly do a budget review: need $250 for lodging five days in Albuquerque, two tanks of gas, at say, $45 each, breakfast at $10 plus tip, that leaves a whopping $50 or so on which to celebrate tonight. I am thinking dinner and a movie (steakhouse & “Avengers”); bottle of red wine for camp, maybe $9.99; small bottle of tequila for medicinal purposes (remember, it is cold nights); and … did I figure in popcorn? Okay, $10 popcorn etc, and yep, over-budget. Again. Need to re-define ‘wee celebration,’ will work on that tomorrow or when I arrive Santa Fe. Paint-the-town-red (or for painters, ferric oxide). What?! That makes no sense.

Oh, and when I buy the wine at the little marketplace I had visited earlier, cashier says to me, “oh, has the Renaissance Festival started already? I thought it was next weekend.” She indicates my wide-sleeved white cotton shirt and ascot. “No,” I say very simply, “that’ll be it tonight, just the wine, thanks.” I thought it was fairly funny. Remembering where I was, I was very nice about it.

Arrive back at campground after a return toilette at the Shell station and look forward to a good night’s sleep. By most measures, save for the over-budget part, a good day. A good night. And a big ol’ Devil Moon above. 

Picture
Three alpacas, cute as you may please (photo)

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“The writer, when he is also an artist, is someone who admits what others don’t dare reveal.” – Elia Kazan

6/2/2012

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Day 25 - Saturday

Breakfast at Denny’s 7:30am. A “costume change” into painter’s garb – the Modigliani – and arrive 8:45am to set up for the Farmer’s Market, 9am-1pm. To the usual suspects I met last night, I bid Good Morning. Lots of people come by to say hello. I meet yet another Thomas, whose girlfriend, Julia, has completed two levels of Reiki training. Julia is giving chair massages in the park as part of the fair. I remember then that Diann will be holding a couple of Reiki sessions today in Chicago as Saturday is her day at the wellness center. She has completed her Master certification for Reiki training and is now Reiki Master. Woo hoo!

I begin painting a street scene that includes the iconic Thunderbird Motel sign; frustrated, I scrape it after an hour and a half, and begin another from a different perspective, same oil panel. This one, too, will be scraped in an hour. Feel as if I am out of whack, out of practice these four days dealing with car issues.

A woman approaches, Sonja, asks if I might consider doing a painting of her Olive Oil store with her in it; uh oh, a commission and a portrait to boot. These can be anxiety-filled. We agree to meet at her store at 4pm. I pack up at 1pm and head to the library for WiFi access and work on the blog till 3pm.

Meet in PineTop-Lakeside, city very near Show Low, maybe fifteen minutes from my idyllic, rustic campground.

Oh, and I learned today the origin of the town’s name as the fair was located around a park statue near City Hall depicting two men playing cards at a table, replete with cowboy hats, and a brass plaque at its base with the history. In 1870, C.E. Cooley and Marion Clark - two ranchers having staked out 100,000 acres conjointly, then deciding that both could not reside happily together on the massive plot – commenced a marathon card game to decide who would own the land solely.  Exhausted and with a three in his hand, Clark finally stated, “If you can show low, you win.” Cooley drew the deuce of clubs, lowest card possible, and as legend has it, replied, “show low it is.” The Main Street is also named “Deuce of Clubs” in deference to the legend. And here I thought it led to a casino.

Anyway, Sonja is also a breeder and proud owner of Alpacas. She shows me several photos; suggests perhaps I do a painting of her and a favorite alpaca, “Picassol” for whom the store is named - “Picassol’s Olive Oil” - standing in front of an interior wall, the shelves of which are adorned with many several what appear to be samovar-like olive receptacles. I learn that the Alpaca is akin to the camel, of South American origin, and resembles the llama. Okay, cool. I quote her my prices, ask what she wants to spend, and decide to do a 16 x 20” at the 11 x14” price, as really it helps me out in a big way as well. Remember, I am coming off car repairs.

Safeway. Six-pack of Tecate and a deli sandwich, and I return to campsite so as to set up easel. I decide to paint smart and proceed first by making several drawings as I am using a composite of three different photo references, one of the store interior, one of Sonja herself, and one of Mr. Picassol, the alpaca. I then lay in a quick oil sketch on canvas paper that I have packed along with everything else from my studio gallery. I wash up a bit in the kitchen sink that also I have brought with me - kidding. 


Confident that I have a composition, I begin. I continue painting well after sun goes down and the moon is fully lit up. No problem, I can finish in the morning and easily make the noon deadline. Even time for breakfast. Another Tecate, breathe in this beautiful night. The campsite is situated on a small, albeit beautiful, little lake. I take in and commit to memory the reflections of this new moon. To bed.

Picture
"Show low it is...." Statue, Show Low, AZ

Picture
View down "Deuce of Clubs" Main Street, Show Low, AZ, the Thunderbird Motel (photo)

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“The task of art today is to bring chaos into order.” – Theodor Adorno

6/1/2012

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Day 24 – Friday

Chaos, indeed. The must-get-to-Jerome quest starts with arrival at Kia dealership at 7am. Yes, I have bid all what I hope is a final fare-thee-well. Mechanics will look at it, but are stacked with other vehicles scheduled today. A great conversation in the waiting room about the trip and things to see in the region is joined and enhanced by another gentleman, Thomas, who adds a great deal of perspective and information on Jerome and Sedona.

Thomas is a retired teacher of History (more than forty years' teaching experience) and has recently been working on a literary piece, a compilation of all the fascinating people that he has met and their personal stories; a bit like Studs Terkel, I suppose. I lobby for inclusion by enhancing all of my stories, including being raised as a wealthy Arabian prince, who once was near-death after wrestling with a Big Black Bear deep in the Sequoia National Forest… Thomas is laughing at me and with me.

Both of their cars are serviced within hours, they depart; more waiting, more new arrivals. But I am getting organized, Atlas out, and pouring over my spreadsheet regarding the travel itinerary – it is clearly labeled “Draft” as I must needs remain flexible in departures, arrivals, and destinations. If I have learned anything, I have learned this need for flexibility, and I do not mean in the yoga-sense.

By 11am I am on the phone with travel secretary, Diann, as we develop a plan of attack for the end of the journey, when she will meet me in Brown County, Indiana, for the last few days, five weeks hence.  I will be tent-camping in the Brown County State Park that final week. Too, I will participate in a painting event in Greenfield, Indiana, on Friday & Saturday end of June.  Back in Chicago July 1st.

She makes a reservation at a B & B for one evening near Nashville, IN, where we can take due advantage of many sights, including a visit to the historical studio of turn-of-the-last-century painter, T.C. Steele; it is his influence, and the deep and revered tradition of Indiana plein air painters, that really underlines this entire odyssey for me. In that I am originally from Fort Wayne, IN, born and bred, I hope to walk and paint in his footsteps - as well as in the footsteps of the other artists belonging to "The Hoosier Group" - not unlike so many painters before me have done in the steps of Monet at Giverny.  
 

http://en.wikipedia.org/wiki/T._C._Steele 

Seven hours later, I have a new fan for the cooling system and a new deficit of $233, which, of course, while an unanticipated expense, beats the estimate that I had yesterday of over $1,000. But I must confess, it is a dent in my funds. So, I am on the road. Willie Nelson is singing in my heart. On Hwy 17, I spy some signs that suggest it is closed ahead, which doesn’t make any sense to me. I think about taking a bypass and catching up to Hwy 17 further down the road. I continue to head North, see another sign “closed due to accident in left lane, ten miles” – surely I will be able to move through this effectively.

Nine miles later, a complete stop. Twenty minutes. Twenty-five. My heat gauge heading North as well, to the Danger Zone. Temps have topped 115 degrees today in Phoenix. I begin subtly FREAKING OUT. My a/c shudders, then it begins spewing hot air, the gauge nearing Red Zone. We haven't moved. Off with my shirt, roll down the windows to make it cooler inside. Ten more minutes of this and I am done, completely over it. Chicago actor/artist and best friend, "Kia" will be found in the ashes of a burned-up vehicle on Hwy 17 which blazes with too-much-stuff, a fiery Arizona Inferno, smoke from a mass of contemporary painting masterpieces, as yet unseen, billowing forth.

Not gonna happen, not today, not when I have direct access to a Guardian Angel. I pull into the median (this will now be considered “off-road”, Arizona-style) and for a moment, I really think my little Sportage likes it – forget the damn mountains, up and down, give me a little off-road adventuring and I am your’s for the asking. Hell, we can go anywhere together! You, me, and all four of my cylinders!

I get up to speed and the gauge returns to normal, a/c kicks up nicely, shirt back on. I am immediately on the phone with my travel secretary, my hands are shaking a bit. It is very simple, I think to myself: Jerome and Sedona, for whatever reasons, are not meant to happen. End of story. A decision now four days in the making. New plan. Diann tells me, with the aid of her Google Maps, in the comfort of her office and Chicago's 53 degrees temperature today, to get to Shea Road (yep, was just there an hour ago), go east and get to Payson. Done. I am on my way; Jerome and Sedona will be another time. I am actually considering a promotion for her to Vice-President of Travel.

Payson. Elevation 5,000. Will climb to 7,000 later today. A fuel stop. A DQ Blizzard (I feel strongly that I have deserved it). I pat the dashboard, the Kia has been a champ, negotiating the mountains once again (I privately promise to her, the Kia, some off-road business later). Atlas out, I am heading for Show Low (interesting name for a town), can camp there and will provide a striking distance to New Mexico in a few days. 


Arrive Show Low, charming as heck. I see a vintage Motel sign that I really want to paint tomorrow sometime. Near it, I see what looks like an art fair, something, tent-booths and people milling about. I will need to come back. Go in search of the state park, consult Atlas, find it, only to learn it is sold out for the weekend, big park, presumably hundreds of sites. I even get a bit of attitude from the ranger, "yeah, see, we take on-line reservations now and, you know...." He lets it linger there in the air as if to say, you might have done well to make an on-line reservation.  Dude, if you knew the day I have had today, I think about getting out of the car and popping him a good one in the nose, but I politely inquire after other campgrounds in the area.

It seems a chore for him to hand me a map indicating two others on the opposite side of town. Dude, might I borrow your computer to quickly make an on-line reservation... never mind, appreciate your efforts on my behalf and all that, and off I go searching. I find a place, Show Low Lake Campground (that name again) and inquire with the Camp Host if there is room. He looks a tad confused, says, yeah, there's only two others camping, you make three. I hesitate asking if I need to go on-line to make the reservation, but I pay my fee for two days, $14 each, and he points out the outhouses - and I am being generous in description - as well he tells me there is no electric nor water. Well, there is a bin with water and a spigot, good too, you can really drink it, he says.

So. We will go at it primitive this weekend. Cool. Quickly set up tent, jump in the car, have maybe another hour before sunset and go to visit the fair. It is small-town, which is its heart and charm. I meet couple of folks, suggest I might come and paint in the morning, do I understand there is a Farmer's Market here tomorrow? Yes, and you should go meet that person there, is the organizer. Okay. She is very nice, says how nice it will be to have me painting tomorrow. See how NICE everybody is?  Cool. Too late for Safeway, don't want to cook, a Mexican food joint across the street. It is delicious! Two beers and well.... welcome to Show Low.

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“The very essence of the creative is its novelty, and hence we have no standard by which to judge it.” – Carl Rogers

5/31/2012

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Day 23 – Thursday

I have bid all farewell. Again. Off to Mesa Cultural Center to drop off a resume. It is an impressive complex. The Shakespeare company does not keep an office here so I will send it through the mail. Off I go. Land in Scottsdale, find Trailside Gallery and it is very cool. Most exclusively Southwestern art and artists.

Walk around a corner and I hear an artist talking about a client wanting another one of these "stagecoach” paintings, ugh. As I continue around the corner, I see a guy sitting spread eagle on the floor trying to get something off the painting. “Looks like lint. And I thought Lint was a Sunday in April,” he says. Funny, though no one in the gallery really laughs. “I don’t know, maybe a knife.”

There is a very distinguished, white-haired gentleman – most probably the owner - standing near him watching. The artist now has out a huge pocket knife and is going at it trying to dislodge what seems to be lint from the framed painting, approximately 36 x72" in size. Big. Beautiful painting. By now I am close, though pretending to look at paintings on the opposite wall. I say, “wow, you let just anyone in here, with a knife, to check out the artwork?”  Now the people in the gallery laugh. The owner says, “not everyone, but as it’s his work, I figure it is in good hands.” I nod, “so I presumed.”

He then conveys to me, professionally, “let me know if you have questions.” I ask about a couple of artists that I have met, see if he knows them, or even represents them. It leads to my being a painter, traveling and painting. Ah, there’s the trigger. Artists don’t buy paintings (which, of course, is not true), but I am dismissed, with a smile "Enjoy the gallery," he says and turns on his heels. Actually, he will be very generous in spirit and service in a few minutes, handing me brochures etc.

Okay, so a quick walk around Scottsdale, a call in to my mother so suggest that I am off to Jerome and Sedona and here we go. Onto Scottsdale Avenue, heading to Hwy 101. I will be in Jerome in two hours or so. Waiting for the lights to change I note that my engine temp gauge is heading for HOT. Shit. Very anxious. Waiting for one stop light, then another, the red gauge heads for danger zone. I spy a service place, Brake Masters, pull in.

Long story short, could be thermostat, could be hoses. Let’s fix the thermostat. Two hours. Guys takes it for a spin, sees the gauge climb again to danger, though not as quickly. Another hour. I get an estimate for new belts etc, could work on it tomorrow, and over $1,000. Double Shit.  No Can Do. Plus I think these guys are winging it.

Get Diann on the phone, she finds a Kia dealership on Scottsdale Avenue, I make the call, set up appointment for 7am; surely the Kia guys will know the vehicle better, after all, well... it is a KIA. I exit the Brakes Experts and suggest that I have a friend in Mesa (keep this up, and soon I won’t have ANY friends left in Mesa, ugh) who will look at it and as he is a mechanic might be able to fix it. It's a good story. They actually are happy for me. So, $100 down, new thermostat. And I head for Mesa with flashers on.  Did I mention, temperatures are exceeding 105 degrees today.

Cathy yet again extends her courtesy and suggests I continue to be welcome to stay at the house though she might have a date tonight. I really have over-stayed the welcome and want to get this done, so I can get out of their hair. Date falls through, we go to dinner, this will be my treat, no questions, no arguments. Finish dinner, Cathy begins singing to a song playing in the restaurant (it isn’t busy), guy hears her and comes to the table to buy a round of drinks, so impressed is he with her singing. I just want a shot of tequila. (I lie, I want many several shots of tequila, but one will suffice nicely, thank-you-very-much).

He joins us, brings a bottle of what turns about to be a surprisingly awesome Kentucky bourbon that apparently a friend just delivered to him at the restaurant, the friend has left. The bottle sports a sassy little red velvet jacket; I suspect in Kentucky, they might call this a Bourbon Condom, but I could be wrong. It is good, tastes expensive, we have a “finger” second-helping and the bottle then is whisked from the table out of reach. Cathy and our new friend trade business cards. End of evening. Tomorrow: Take Three for Jerome.

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    Jeffrey Baumgartner

    A professional actor for over twenty-five years, Jeffrey is an accomplished oil painter based in Chicago.  In 2008, he established  JB ArtWorks studio gallery. 

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